When Four Worlds Collide This essay confronts, by pairs, these four science-fictional worlds: “Star Wars”, by George Lucas; “Babylon 5”, by J. Michael Straczynski; “Star Trek”, by Gene Roddenberry; “The Culture”, by Iain Banks. Star Wars Meets B5 Minbari goldfish-ships outclass most Imperial ships. The Death Star is evenly matched with Shadow or Vorlon planet-killers. The Force is, to B5, just teeking; B5 concentrates more on teeps. Morden: “What do you want?” Emperor: “Power!” Morden grins. ...
Super My own headcanon about superbeings takes the form of a trilogy, as follows: Part 1, “Superpower of the People” . A lesser superhero and a lesser supervillain team up to investigate the nature of superpower. Meanwhile the other supers continue their endless destructive conflicts. The lesser superbeings discover how superpower works, and they use this knowledge to invent devices that can give ordinary people superpowers. They sell those devices for $199.95 each. The other supers get wind of this, and they don’t like it one little bit. Only they, the aristocrats, deserve those powers. That drives the story’s conflict. Biff! Bam! Pow! After setbacks and plot twists, the People win. But the most villainous of the superheros, while being dragged off to super-jail, warn them that their troubles are only just beginning. Part 2, “Superpower of the Law”. A policier. Society has technically integrated superpowers into everyday life. The people fly to work, build by telekine...
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